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I will reduce microphone bleed in multitrack live recordings
Adam R
About this gig
Do you have a live or studio multitrack recording where every microphone contains too much of the other instruments?
I specialize in reducing drum and microphone bleed across complete, synchronized multitrack sessions. Send the full raw session, and I will clean each accepted track while preserving its original timing, length, sample rate, transients, and musical character.
Suitable for:
live concerts and live-in-studio sessions
kick, snare top/bottom, hi-hat, tom and overhead microphones
brass, vocals, guitar amps, bass amps, and other close microphones
sessions prepared for later mixing
You receive:
cleaned WAV or AIFF tracks
the same starting point and duration as the originals
organized filenames and folder structure
manual quality control for artifacts and missing transients
This service is specialist microphone-bleed cleanup only. It does not include mixing, mastering, tuning, timing correction, EQ balancing, or production.
Please contact me before ordering. Files must be clearly named, synchronized, and exported without effects. Complete removal is not possible in every recording; I will achieve the strongest transparent reduction the source allows.
Get to know Adam R
Adam R
Musician and Music Producer
- FromSweden
- Member sinceAug 2026
Languages
English, Swedish
I am a music student and producer specializing in jazz drums, piano, and audio accessibility. I have substantial experience in Logic Pro, focusing on recording, MIDI programming, and stem separation. I am skilled in creating accessible workflows using screen readers and have presented my expertise in assistive technology at companies like IKEA and LinkedIn.
FAQ
Can you remove all microphone bleed completely?
Not in every recording. Results depend on microphone placement and the level of the wanted source versus the bleed. I aim for the strongest transparent reduction without damaging transients or creating distracting artifacts.
Do you need the complete multitrack session?
Yes. Please send all relevant synchronized tracks. The complete session helps me identify the intended source in each microphone and check the results consistently.
Do you mix or master the recording?
No. I only reduce microphone bleed and deliver cleaned, synchronized tracks. I do not balance levels, add EQ or compression, tune vocals, correct timing, or create a finished mix.
Which formats do you accept?
WAV or AIFF is preferred at the original sample rate and bit depth. Please avoid MP3 unless no lossless original exists.
Must all files have clear names?
Yes. Use descriptive names such as Kick In, Snare Top, Hi-Hat, Overhead L, Bass DI, or Guitar Amp. Generic names such as Audio001.wav are not accepted.
Must the tracks have the same starting point?
Yes. Every track must start at the same timeline position, remain synchronized, and keep the same session length. Do not trim instruments separately.
What counts as one revision?
A revision means rechecking and, where technically possible, adjusting specific tracks or sections from the original session. New recordings, extra tracks, or a changed scope require a new order or Custom Offer.
What tools do you use?
I use a specialized multi-stage separation and restoration workflow followed by manual quality control. The exact processing chain is proprietary; the delivered result and preservation of the performance are the priority.
