I will give professional feedback on your electronic music track
About this Gig
Your track is almost there, but something isn't working and you can't figure out what?
I'll listen to your electronic music track with a producer's perspective and give you clear, honest and actionable feedback to help you take it to the next level.
I specialize in Psytrance, Techno and Peak Time, with more than 10 years of experience producing and releasing electronic music internationally.
My releases have reached #1 and Top 5 in the Psytrance charts, and I've released music and official remixes through established labels including Nutek Records.
Depending on the package, I'll analyze:
Arrangement and track structure
Energy and progression
Kick & bass relationship
Sound selection
Transitions and tension/release
Mix balance and clarity
What works and what I would change
This isn't generic feedback. I'll tell you what I hear, why it matters, and what you can actually do to improve it.
Send me your track and let's make it better.
Topic:
Music production
•
Songwriting & composing
My Portfolio
FAQ
1. Do I need to send a finished track?
No. You can send a finished track or a work in progress. In fact, feedback can be especially useful while you're still producing and can make changes.
2. What genres do you review?
I specialize in Psytrance, Techno and Peak Time. I can also review other electronic music genres, but feel free to message me first if you're unsure.
3. What should I send you?
An MP3 or WAV file is enough. You can also include a short message explaining what you're struggling with or what you'd specifically like me to focus on.
4. Will you mix or master my track?
No. This Gig is focused on professional feedback and guidance. I'll identify issues and suggest improvements, but I won't modify, mix or master the audio for you.
5. Is the feedback only technical?
No. I'll also analyze the musical side of your track: arrangement, energy, progression, tension and release, sound choices and overall impact — not just technical mix issues.

