I will register your recordings with soundexchange and ppl for master royalties


About this gig
You own your masters and get paid for streams. But have you ever been paid for radio, online radio and public play?
That money is collected by SoundExchange in the US and PPL in the UK, and it is separate from streaming and from publishing. If your recordings are not registered there, the plays are logged and the money sits unclaimed. After a few years it is gone.
I register your recordings properly so both shares are collected: the rights owner share for you or your label, and the performer share for the artist.
What I do:
- Set up or check your rights owner and artist accounts
- Register each recording with its ISRC
- Search for plays already logged and claim them
- Credit featured artists correctly
- Link duplicate ISRCs from different distributors
- Give you a tracker of every claim
This gig is for:
- Independent labels
- Artists who own their recordings
- Managers and estates
Please note: SoundExchange and PPL set their own processing times and payment amounts, which I can't guarantee. I am not a lawyer.
Message me with your number of recordings before ordering.
Get to know Joshua P
Skillful Social Media Marketer
- FromUnited Kingdom
- Member sinceJul 2024
Languages
English
FAQ
Is this the same as my streaming income?
No. Spotify and Apple pay through your distributor. This is for radio, online radio and public play, which is collected separately.
Do I need to own the masters?
For the rights owner share, yes. If you are the artist but not the owner, you can still claim the performer share.
What if my label or distributor already collects this?
I check before claiming, so nothing is claimed twice.
How far back can I be paid?
The societies only pay back a limited number of years, which is why it is worth registering soon.

