I will composite your photo into a professional headshot

R
rimdragonfly
R
rimdragonfly
Mary V

About this gig

You don't need a studio session for a LinkedIn headshot. If you've got a photo taken against a wall at the office, on a phone, in whatever light was actually there, I can turn it into one that reads as a studio portrait, ready for LinkedIn, a company directory, a professional bio, or anywhere else a headshot gets used.


The background gets swapped, and the shadow, light direction, and color all get rebuilt to match. The final image reads as one continuous photograph, not a person pasted onto a backdrop. You can upload your own background if you have one in mind, choose from my library, or pick something from my own photography. If you don't have a specific look in mind, just describe what you're going for and I'll find or build the right setting.


What's included:

  • Basic: one image, full background composite and light rebuild
  • Standard: two to three images, choice of background
  • Premium: full set, faster turnaround


Skin retouching is available separately as an add-on. If you send two different poses, I can also cut them into a short animated sequence in the same style as the gig video, as an add-on.

Delivery style preference

Please inform the freelancer of any preferences or concerns regarding the use of AI tools in the completion and/or delivery of your order.

Get to know Mary V

Mary V

Photo Editor, Retoucher, Compositing, Restoration, Photoshop Since 1997

  • FromUnited States
  • Member sinceOct 2025
  • Avg. response time1 hour
  • Languages

    English
I edit and restore photographs, and build original color and pattern work across a range of media. I've worked with Photoshop off and on since 1997, and in recent years that's turned into regular, hands-on retouching, compositing, and restoration work, recovering what's actually present in a photo rather than inventing plausible detail. Color is where I do my strongest work, matching light and temperature across a composite, correcting a color cast in a decades-old print, catching a shift most people wouldn't notice. Outside photo work, I design fabric patterns and hand-dye yarn.

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