I will do vfx cleanup, object and wire removal for your film

Yes. Moving subjects and moving cameras are the normal case, not the hard case. I rebuild the background behind the subject across the whole shot so the removal holds frame to frame, including through occlusion and motion blur.

No. I work at your footage's native resolution and match original grain, lighting and lens characteristics. Nothing is re-encoded or upscaled. You get back the same shot minus the thing you wanted gone.

Yes. Brand logos, signage, trademarks, license plates and faces are routine work for broadcast, ad and festival delivery. Send your compliance notes and I'll work to them shot by shot.

Camera original or ProRes/DNxHR, not a compressed export. Send the full shot with handles and tell me the frame rate, resolution and colour space. If you can, mark the first and last frame where the object appears.

By shot difficulty, not just runtime. A locked-off tripod shot is quick; a handheld shot with the object crossing behind an actor is not. Message me the shot and I'll give you a fixed per-shot price before you order.

Yes, at no extra cost, and unreleased footage stays private. If your production has its own NDA or a delivery spec, send it before we start and I'll work to it.

Yes. For anything beyond the Clean Sequence package, send your shot count and deadline and I'll build a custom offer with a schedule and milestones so it fits your post timeline.

I'll tell you before you order, not after. Some shots genuinely can't be cleaned without a reshoot or a plate. If that's yours, I'll say so and suggest the alternative rather than take the job.