Browse categories
Explore
Fiverr Pro
English
$
USD
I will do screenplay, feature film, short scripts, novel adaptation
Tagline
I'm Sophia Smith. Before a camera ever rolls, before an actor says a line, there's a page, and that's where I live.
I write screenplays and scripts for feature films, built scene by scene until the s...
About this Gig
Have an idea for a film but need someone to turn it into a real, industry-ready script?
I write original screenplays from the ground up, specializing in feature film script writing that a reader, contest, or producer will take seriously. As a screen writer and movie writer, I bring strong structure, real characters, and dialogue that earns its place on the page.
What You Get:
- Original screenplay writing tailored to your vision
- Industry-standard formatting (sluglines, action lines, Courier 12pt, US Letter)
- A clear outline before writing begins, so we stay aligned early
- Feedback and revisions as the draft develops
- Feature film scripts across genres drama, crime, sci-fi & more
- On-time delivery, every time
I don't just turn your idea into pages of film writing I help shape the concept, structure, and characters so the script holds up both on the page and on the screen.
Whether it's your first screenplay or your next feature film project, I treat every script like it's headed to a real producer's desk.
Send me your idea or logline, and I'll reply with how I'd bring it to life.
Language:
English
•
French
Delivery style preference
Please inform the freelancer of any preferences or concerns regarding the use of AI tools in the completion and/or delivery of your order.
FAQ
How do you know when a scene is actually finished, not just written?
When cutting one more line would hurt it, not help it. A finished scene has nothing left to remove, everything earns its place.
What's the difference between a script that reads well and one that films well?
A script that reads well entertains on the page. A script that films well leaves room, for the actor's silence, the director's shot, the moment the words can't fully carry alone.
Can a logline really tell you if an idea works?
Almost always. If I can't find the tension in one sentence, the story usually needs more shaping before we start writing pages.
Do you ever push back on an idea you're hired to write?
Yes, respectfully. If a structural choice will hurt the story later, I'll say so early, before it costs you a full rewrite.
What's something beginner screenwriters get wrong that experienced ones don't?
Explaining emotion instead of trusting the scene to create it. A character doesn't need to say "I'm scared" if the scene already makes the reader feel it.
How do you write dialogue for a genre you don't personally love?
I study how that genre's characters actually think and speak, the goal isn't my voice, it's the voice the story needs.
