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English
$
USD
I will do structural editing, heavy line editing and sensitivity reading for you
About this Gig
Most manuscripts don't fail at the sentence level. They fail at the foundation.
A compelling first chapter that collapses into a structure nobody can follow. Characters who contradict themselves three chapters later. A storyline that drags in the middle, rushes the ending, and leaves readers frustrated rather than satisfied. Surface-level editing can't fix these problems and no amount of proofreading will save a book that was never structurally sound to begin with.
You need an editor who goes deeper.
I specialize in structural editing, heavy line editing, and sensitivity reading the three most powerful editorial tools that separate publishable manuscripts from unpublished ones.
Here's what I deliver:
- Big-picture structural feedback & editorial letter
- Chapter-by-chapter pacing & plot analysis
- Heavy line editing voice, flow & sentence rhythm
- Tone, consistency & character arc review
- Sensitivity reading for authentic representation
- Tracked changes in Word or Google Docs
- Detailed editor's report with every package
Your manuscript deserves more than a spellcheck. It deserves a transformation.
Message me before ordering let's discuss your manuscript
Language:
English
•
French
•
German
Content type:
Book
•
Short story
Delivery style preference
Please inform the freelancer of any preferences or concerns regarding the use of AI tools in the completion and/or delivery of your order.
Other Proofreading & Editing Services I Offer
FAQ
What is sensitivity reading and why does my manuscript need it?
Sensitivity reading is a specialized editorial review that examines how your manuscript represents marginalized or underrepresented groups — including race, gender, sexuality, disability, religion, mental health, and cultural identity.
Which edit should I start with — structural or line editing?
Always begin with structural editing. There is no point polishing sentences in a chapter that may need to be completely reorganized or cut. Once the big-picture structure is sound — your plot flows, your pacing works, your characters are consistent — then line editing refines the language
Do you work on both fiction and nonfiction manuscripts?
Yes — both. For fiction, I analyze plot structure, character development, narrative tension, pacing, and world-building consistency. For nonfiction, I review argument clarity, logical flow, chapter organization, evidence quality, and whether the content achieves its intended impact on the reader.
